Masinko is a single-stringed bowed lute commonly found in the musical traditions of Ethiopia and Eritrea as well as Uganda and many other parts of central and western Africa even they they vary from one another.
The Ethiopian Maskinko

Kaban is the Somali word for oud, which is a pear-shaped stringed instrument commonly used in Arabic, Hebrew/Jewish, Greek, Turkish, Byzantine, North African (Chaabi, Classical, and Andalusian), Somali (specially in the north) and Middle Eastern music.
The Oud/Kaban

The Maskinko in action in this traditional Amharic song from Gondor.
And the Kaban in action and the Bahsaney Hargeysay song by Salah Qasim (written by Mohamed Ibrahim Hadraawi for Abdi Qays). Hadraawi was sending his greetings to his dear friend Abdi Qays. The old Isaaq generation that died in 1991 used to be driven and they used to grab everything and every opportunity. They grabbed the oud itself from Aden/Yemen and it was imported by a group called Kaba Cad (The White Shoes) which included legendary Abdillahi Qarshe (father of Somali music), Mohamed Haji Ali Guhaad (San Yareh), Mohamed Ismaaciil "Barkhad Cas" and Daauud Yare and Yusuf Haji Adan (the father of Fowzia). Today it's a different story. The Oud is no more indigenous than the Maskinko.
Kaba Cad past their knowledge to Aw Farah and his group who found Walaalaha Hargeisa which included the likes of Mohamed Moge, Ahmed Moge and many others. When they tried to organize a concert in Mogadishu at first they were refused because the south rejected their new style of music but once they were given a chance, the next shows were all fully booked and Mogadishu had to wait 8 months...the rest is history.
Like the oud, I am confident, the Maskinko will enrich our music culture. Just 80 years ago, our people didn't know what oud was. Because of radio Hargeisa, our new instrument thanks to Aden we conquered the rest of the Somalis with our unique Qaraami hits and as a result Hargeisa was crowned "hogaaygi faanka". Those old generations were innovative, pioneers and curious minds. The new generation is retreating, isolating and has withdrawn from all aspects of all human contacts.
Reer Waqooyi have refused to shake their booty like the Hawiye and their Bantu cousins, so I am hoping they are more open minded to shoulder shaking than baadhi shaking. I think shoulders are more honorable. Personally, I think these Amhara girls shaking their shoulders are more dignified than the Konfuur niiko ladies.
On that note, I put the question to you, can kaban work with Maskinko?